Talwar

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The case relates to allegations of misutilisation of foreign contributions which were received under the CSR scheme for carrying out educational and social activities in India. Both of these warships Jayant Mohan, counsel accepts notice for the respondent Talwar. Matter to be listed on July 23 for final disposal," said the bench, also comprising Justices Deepak Gupta and Aniruddha Bose.

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Black Designer Talwar

Scottish Broad Sword. They decided to present three perspectives in the story: the police investigation, the first CBI probe and an investigation by a different CBI team. According to Meghna, she tried to keep the narrative as objective as possible to let the viewer interpret it on their own. The names of individuals and organisations were changed in the film to avoid legal issues. At a screening, lawyer and politician Ram Jethmalani , said that the trial depicted in the film was inaccurate. Meghna responded, "[The film] is more about the investigation than about the trial.

In fact, the trial is not part of the film at all. It tracks the many investigations. PNC was the film's initial co-producer, but the company withdrew from the project. Bhardwaj was driven to write the script after an encounter with the case's first investigating officer: "There was a kind of black humour that was coming out of this tragedy.

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I am a great fan of Rashomon. I found the best way to write the script in it". She said she enjoyed the script, and agreed to do the film after meeting Meghna. Principal photography began a year later in June on location in Mumbai, Delhi and Noida, and lasted almost a year. Sreekar Prasad edited the film.

Tara Talwar, MD

The film's music was composed by Vishal Bhardwaj, with lyrics by Gulzar. It was released on 15 September on the T-Series label. The album received generally-positive reviews. Mohar Basu of The Times of India wrote, "With Gulzar saab's work at the pen joining Vishal's formidable sense of melody, Talvar's album [has] a heady quality". Talvar received a positive critical reception.

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Talvar is super-sharp, a sword swipe at Bollywood's song-and-dance, mehendi-fuelled escapism. Shilpa Jamkhandikar of Reuters noted that it is a "well-constructed, gripping film", but the filmmakers' bias about the case left a "bitter aftertaste".

Namrata Joshi of Outlook described its "solid writing, sharp dialogue and the spot-on performances" as the strengths. She praised its humour in the face of a serious investigation, which gave the film a "nice touch". He praised the "believable and flawed" character of Ashwini, who "drinks on the sly, out of bottles wrapped in paper bags, and distractedly plays Snakes on his phone while a parent sobs" instead of being a "punchline-spewing hero figure".

Raja Sen wrote in his review: "A tightly-coiled procedural made with such dryness that it seems, in parts, documentarian — resembling a reenactment more than a feature film". Among overseas reviewers, Joe Leydon of Variety labelled the screenplay "solidly constructed" and the film's narrative flow "satisfyingly brisk".

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Hurtado of Screen Anarchy wrote, " Talvar makes for gripping, infuriating, and at times illuminating viewing, and it's a film that will translate just as well to those ignorant with the case as to those intimately involved. From Wikipedia, the free encyclopedia. Theatrical release poster. Vishal Bhardwaj. British Board of Film Classification. Archived from the original on 18 January Retrieved 17 January The Telegraph. Archived from the original on 16 January Retrieved 15 January The Indian Express.

Archived from the original on 20 September Retrieved 20 September Gulf News. Archived from the original on 15 January Retrieved 14 January Daily News and Analysis. Archived from the original on 7 September News Laundry. Archived from the original on 3 August Retrieved 19 August India TV. Archived from the original on 23 September